This work explores the intersection of French national branding, cultural tourism, and the commercialization of art history. By depicting Mickey Mouse feeding the Mona Lisa, the piece satirizes the transformation of one of history's most celebrated artworks into a consumable icon, questioning how tourism and popular culture reshape our relationship with artistic heritage.

Karla Enriquez

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I am a visual artist originally from Mexico City. I have two children and divide my time throughout the year among Barcelona, Philadelphia, and Mexico City. My career as an artist has been characterized by a quest for self-expression and a commitment to pushing the boundaries of my craft. I received my academic training in contemporary art in Munich, Mexico City, and Lyon; over the years, I have participated in various group and solo exhibitions, and I consider my work to be in constant evolution. These experiences have honed my technical skills, and I have deepened my thematic and conceptual understanding, which drive my artistic practice.