In Fragments of Time and Permanence, the brick—fragile yet solid—becomes the canvas where time and space converge. Upon its rough surface, a man on a motorcycle emerges as a symbol of perpetual motion and the trajectories we traverse, both physical and metaphysical. As the male figure dissolves to one side, it fragments into dynamic lines that embrace the brick, following its geometry like a visual echo. These lines represent the inevitable disintegration of the self over time and the immaterial traces we leave as we move through the spaces we inhabit. The flow of these lines suggests both continuity and dispersion, alluding to the duality of existing in a world where the present constantly dissolves into the past. The brick, a material that builds the everyday spaces of our society, stands here as a reminder of our connection to the tangible. Through this work, the layers of time are shown to imprint themselves on the walls of our cities and on the objects that shape our perception of space. It is a meditation on how the ephemeral nature of movement contrasts with the permanence of what is constructed and how time becomes an invisible architect of our reality.

Zoe Lunar

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Zoe Lunar radiates and works in Mexico City, is a graduate of the national school of painting, sculpture and engraving "La Esmeralda". He is an artist in constant formation, who seeks plastic, visual and sound experimentation. His work feeds on time as matter and how it helps to interpret reality, through temporal representations, of spaces that converge in their social context and how this influences the formation and interpretation of our different contemporary realities; making use of the qualities of painting and drawing to make deformations in a perceptive portrait of different moments, and personal times in a single interpretation. He is currently nurturing his plastic work especially in painting and drawing, giving him new outlets like AR in some of his new works and occasionally making music and video.