The work depicts a female figure lying on a bed, her face multiplied into three pairs of eyes and her body divided into countless fragments that detach yet remain integral to themselves. This duality between unity and dispersion does not dissolve the figure but instead reveals how time, in its unfolding, cannot be fixed into a single image. Fragmentation emerges here as a plastic strategy to translate temporality into two dimensions: each repeated part becomes an echo, a trace of the previous instant overlapping with the present. The body thus becomes a map of transit, a simultaneous record of multiple states of being. The painting demonstrates that reality is not perceived as a homogeneous continuum but as a fractured weave where memory, movement, and perception converge. Fragmentation, far from signifying loss, becomes the only means of representing the complexity of time as it is lived.

Zoe Lunar

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Zoe Lunar radiates and works in Mexico City, is a graduate of the national school of painting, sculpture and engraving "La Esmeralda". He is an artist in constant formation, who seeks plastic, visual and sound experimentation. His work feeds on time as matter and how it helps to interpret reality, through temporal representations, of spaces that converge in their social context and how this influences the formation and interpretation of our different contemporary realities; making use of the qualities of painting and drawing to make deformations in a perceptive portrait of different moments, and personal times in a single interpretation. He is currently nurturing his plastic work especially in painting and drawing, giving him new outlets like AR in some of his new works and occasionally making music and video.