"App Ocalypse" by Diego Tirigall stands as a contemporary satirical critique, encapsulating a sense of humor with an undercurrent of existential dread. Tirigall, a maestro of street and urban art, employs the Warholian motif of a soup can to serve a metaphor for our digital consumption. Yet, unlike Warhol's pristine prints, Tirigall's can is tainted—its contents soured by the very technology it's comprised of. The central skull, stark and unapologetic, is a memento mori for the internet age; a reminder that behind every screen-lit visage, mortality looms. The clever wordplay of "New Clear Era" juxtaposes the destruction of nuclear fallout with the faux optimism of a digital utopia, crafting a narrative as unstable as it is captivating. The canvas is a battleground of digital chaos—'loot boxes', 'future soup', and doodles of dismay illustrate the paradox of our online existence, humorously elusive yet forebodingly profound. Tirigall's work is a glitched reflection in our cultural mirror, revealing a self-portrait distorted by the ceaseless quest for digital validation. "App Ocalypse" is not merely an art piece; it is a siren call to recognize the digital monster we have nurtured, a monster that now shows us our own warped image.

Diego Tirigall

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Born in Buenos Aires in 1976 and now based in Spain, Diego Tirigall grew up in a family of antique dealers and art restorers, instilling in him a deep respect for art from a young age. A self-taught artist, Tirigall has developed a unique style that blends elements of neo-expressionism, art brut, and street art. His work is characterized by bold primary colors and a knack for deconstructing pop culture, offering a critique of modern life while capturing its fleeting moments. Rather than focusing on the darker aspects, Tirigall's art serves as a canvas for memory, inviting viewers to reflect on shared experiences and the transient nature of our digital era.