In the Greek cultural tradition, when something was depicted, it often had the function of protecting against some calamity or unpleasant situations. A painted antique mask with such a bad mood aims to drive away bad emotions and unpleasant life moments from the owner of the picture.

Yehor Antsyhin

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Works with the theme of memory and discoveries within it through the conflict of personal and official history, social criticism, labor relations. For the last years he has been actively involved in land art. The last affected his view and perception of the landscape to some extend and helped him to open a new method of interaction with space, the rejection of object-subject relations with the environment and the inclusion of space not as a part but as a participant in the interaction in his works also actualizing the topics of ecology and overproduction. But the golden thread of his artistic practice remains the theme of memory, recollection and oblivion. He uses the following media: installation, photography, painting, participatory and performative practices, archives, land art.