In “Checkmate”; Golding depicts three masked women standing on what appears to be a chessboard. Two of the women are guarding the third, one of which is holding a machete in her hand. The woman being guarded has her back turned to the viewer as she slightly looks over her left shoulder.

Jay Golding

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Jay Golding’s figurative paintings and drawings evoke mythology, migration, and interconnectedness, creating literal and symbolic layers employed by vibrant palettes in acrylics and oils, sometimes incorporating collaged or impastoed elements. Golding’s emphasis on tribal cultures within his work, often infuses Caribbean and African cultural motifs allowing him to draw parallels between various communities–expressed by his masked figures and other fictional characters such as the purple-skinned beings from the village “Maji ya bluu”, which is Swahili for blue water. Golding frequently signs his work under the pseudonym Kwame, a name he donned after visiting Ghana in 2019 with his family. He cites his trip to the West African nation as well as Mexico as being life changing and having profound effects on his work.