White Lisianthus is a close-up cropped view of three white lisianthus at various stages of their life cycle, from bud to full bloom. The layers of oil glazes create a rich matte texture, to the piece, reminiscent of the velvety feel of the petals, with the bold, rich layers of white standing out against the smooth ombre background. The background itself - while deep black at first glance - is created with layers of deep crimson blending into blue-black, the tones of which shift subtly between warm and cool according to the light and shadow. The subtleties of the colours can be seen in the fourth photo. I use minimal pigments in my work, mixing the colours from just a few base colours to create a consistency and complementary palate that is calming, and soothing on the eye. Through my painting I continue to study our connection with natural forms, in particular during times of growing concern and awareness of climate change. This lisianthus was the last surviving flowers from a bouquet gifted to me, lasting weeks after the rest of the flowers had wilted.  The piece is framed in a dark wooden frame (see photos) and comes ready to hang. Framed dimensions are 46 x 56 cm, unframed 40 x 50 cm.

Dom Holmes

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My name is Dom Holmes. I am a queer, non binary multi-media artist living in East London with my wife and our beautiful senior beagle. I am a self-taught painter, working with traditional oil painting methods and minimal materials, specifically using glazes and colour theory to build depth and intensity of colour with the fewest pigments possible. My work reflects my ongoing fascination with the human connection to nature within an urban environment. My paintings depict botanical life found in city settings, and the relevance of seasonal wildlife and community amidst late-stage capitalism and the current climate crisis. I’m currently working on a series inspired by non indigenous and invasive plant-life and the impact on the environment, ecosystem and community. While I have been painting with oils as my primary practice since 2019, I have been an artist for over 20 years working across various mediums. You may know, recognise or even have some of my other work without even realising it. Throughout the years, my background in pen and ink drawing and tattooing has seen me collaborate with brands and companies, including designing the Royal Mint’s commemorative 50 pence piece, celebrating 50 years of Pride in the UK.