Integrated Masters degree in Fine and Applied Arts
Mixed Media
20.0 x 20.0 cm
2024
About
This artwork features a tightly knit composition mounted on canvas, skillfully combining both material and technique. Knitted using acrylic yarn in a palette of red, white, blue, and black, the piece creates a bold and structured pattern. Vertical...
This artwork features a tightly knit composition mounted on canvas, skillfully combining both material and technique. Knitted using acrylic yarn in a palette of red, white, blue, and black, the piece creates a bold and structured pattern. Vertical blue lines dominate the canvas, interrupted by horizontal black and white lines, forming a visually striking grid. Red accents break the rhythmic flow, adding vibrant contrast and energy to the structured composition. The unique aspect of this artwork is the way it extends beyond the front face of the canvas—blue lines continue onto the sides, though here they appear as printed footprints of the knitted material, using acrylic paint. This subtle yet innovative detail allows the piece to feel both contained and expansive, as if the artwork is spilling over the edges, suggesting continuity beyond the canvas itself. The medium of knitted yarn adds a tactile dimension, inviting viewers to consider the physicality of the materials used. By juxtaposing the soft, flexible nature of the yarn with the structured grid design and bold color choices, the artwork explores the intersection of craft and contemporary abstraction. The printed parts, achieved with acrylic paint, complement the knitting, creating a harmonious blend of texture and color. This piece aims to evoke a sense of balance and contrast, where the softness of the textile meets the rigidity of the printed form. The choice of medium and composition reflects a deeper exploration of materiality and form, encouraging viewers to engage with both the visual and tactile elements of the work. The blue lines stretching onto the sides add a subtle dynamism to the piece, leading viewers to explore beyond the flat surface of the canvas and consider the dimensionality of the artwork.
More by Tinatini Popiashvili
View AllAppears in Pegboards
View AllCurriculum Vitae
View AllBorn in 1986 in Tbilisi Subway, Tbilisi, Georgia. Currently residing in Thessaloniki, Greece.
Offers & History
View AllArtwork History
View AllSep 06, 2024