Foundation Art & Design
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About this artwork
Bleach on black fabric Making marks with household bleach is exciting and unpredictable as the final image doesn’t reveal itself until minutes after the brush has left the fabric. Rather than adding pigment to the fabric the substance seemingly extracts the colour through oxidation. Or rather - affects the molecules to reflect different lightwaves. This painting depicts palms trees shaken by a nuclear test. Hand painted artist’s strap frame.
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Artwork History
Jan 22, 2024
Peggy buyer protection
About the artist
‘I explore nuclear explosions as cultural, historical and iconic symbols. Referencing the scale, beauty and abhorrent nature of the atom bomb I delve into the periphery of the subject, the myths, characters and surrounding evidence. I works across a wide range of media from vast oil paintings, tapestries, projections and audioscapes to delicate paintings on glass and ceramics you could hold in your hand.
Curriculum Vitae
Born in 1978 in Yorkshire, UK. Currently residing in London.
A Level Fine Art Ba/Hons CFCCA - How I Learned to Stop Worrying (1945-2016) Plymouth Arts Weekender - Paradice Lost (2 man show) Vane Gallery - A Foul and Awesome Display Women Walked Onto the Base Last Tuesday - Indo Gallery (2 person show) Intervention - DIY Performances during the 59th Venice Biennale Vane Gallery - From This Crude Lab StudioKIND - That Lethal Cloud Splice - Heavy Weather CFCCA - How I Learned to Stop Worrying (1945-2016) Plymouth Arts Weekender - Paradice Lost (2 man show) Vane Gallery - A Foul and Awesome Display Women Walked Onto the Base Last Tuesday - Indo Gallery (2 person show) Intervention - DIY Performances during the 59th Venice Biennale Vane Gallery - From This Crude Lab StudioKIND - That Lethal Cloud Splice - Heavy Weather Plaster Cocktail Volume III - Revolution Completely er, unfolding itself Pinocchio’s Got Nothing on You Suboart Magazine interview - Issue 13 Hackney Studios by Jenny Lewis Archive 00 01 - Saint Maison A Foul and Awesome Display @ Vane Gallery Probably Just a Wrong Number - On Kirsty Harris’ Cold Call Solo Award - Chiara Williams Contemporary - Shortlisted Contemporary British Painting Award - Shortlisted Arts Council England Grant Eaton Fund for Artists A-N Bursary Karst Gallery and Studios Residency
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