Yann Leto

Leto is essentially a painter who is free of orthodoxy, so that his messages continually transpire between the installations, creating a language in which hybridization is the key. In an expansive work, boundaries pose as an inconvenience to be el...

Leto is essentially a painter who is free of orthodoxy, so that his messages continually transpire between the installations, creating a language in which hybridization is the key. In an expansive work, boundaries pose as an inconvenience to be eliminated, and thus the iconoclasm and the critique uphold pieces like the controversial ‘Congress Topless’ that drew attention at ARCO 2014.